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HỘI ĐỒNG BIÊN TẬP
TÁC GIẢ
PHẢN BIỆN
LIÊN HỆ
BÀI BÁO
Số ra
No. 12A
Tên bài báo
The disclosure of the subject in contemporary Vietnamese autobiography: the case study of writer Nguyen Khai
Tóm tắt
The element that makes up the nature of the autobiography is the true story about the ego of the subject. The more honest that ego is, the more compelling the autobiography. However, it is not easy to have an exact autobiography. Because it depends on many factors such as social relationships of subjects, cultural traditions, personal motives, social pressure ... So, the ego in the autobiography never belongs only to itself but also is a reflection of the social relationships of the subject. The paper examines the ways in which subjects overcome social and cultural barriers to express themselves as a free individual, thereby explaining a characteristic of Vietnamese autobiography, namely: always standing between category boundaries rather than calling by its name. From the qualitative observation based on data of the writings “God is smiling” of writer Nguyen Khai, the study shows three main expressions in the way the subject is revealed in autobiography: (1) Fiction (2) Blur the event, (3) Go round. This is also a common way that Vietnamese writers often use in autobiographies to express personal ego. On that basis, it is also possible to find patterns that reveal the subject in autobiography as a genre in Vietnamese literature in general.
Tác giả
Hoang Thi Tam, Nguyen Tran Van Trang
Mã DOI
10.53750/jem.v13.n12a.52
Chuyên ngành
Quản lý giáo dục
Từ khoá
Autobiography, reveal the subject, Nguyen Khai, Vietnamese autobiography, Autobiography of Nguyen Khai
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